UNIVERSITÄT DER ZUKUNFT

SCIENTIFICALLY INTRODUCING UNIVERSALITY TO THE UNIVERSITY

.Deutsche Übersetzung in Arbeit

FACULTY OF PYTHAGORAS

SCIENTIFICALLY STUDYING THE HUMAN CAPACITY OF THE UNIVERSAL INTELLECTUAL MANAGEMENT
OF UNIVERSAL HUMAN EVOLUTION

STUDYING THE HARMONY LAWS OF THE MICROCOSM OF MUSIC WITHIN THE MUSICAL FIELDS OF COGNITION AND CREATION

28. Cognitive Feeling and Musical Sequence-Space

SCIENTIFICALLY STUDYING THE UNIVERSAL MUSICAL DEVELOPMENT OF HARMONY OF THE INTEGRATED FUNCTIONING OF COSMIC HUMAN LIFE, EVOLUTION & DIGNITY – THE UNIVERSAL EIGENFUNCTION OF COSMIC COGNITION & CREATIVITY – THE AUTHENTIC SCIENTIFIC PATH TO UNIVERSAL HARMONY – AND
THE NATURAL UNIVERSAL MUSICAL DEVELOPMENT OF HARMONY BETWEEN SCIENCE, ART, PHILOSOPHY, RELIGION, EDUCATION & MEDICINE – IN CONNECTION TO OBJECTIVE SCIENTIFIC RESEARCH IN THE FIELDS OF SCIENCE, ART, PHILOSOPHY, RELIGION, EDUCATION & MEDICINE UNDER THE AUSPICES OF MEDICINE –
AND IN COHERENCE WITH THE UNIVERSAL MUSICAL INTEGRATED STRUCTURAL & FUNCTIONAL DEVELOPMENT OF THE NATURAL UNIVERSAL COGNITIVE ABILITY OF OUR COSMIC FEELING
WITHIN THE INTEGRATED DEVELOPMENT OF THE UNIVERSAL EIGENFUNCTION OF HUMAN CONSCIOUSNESS & CREATIVITY
THROUGH INTEGRATED UNIVERSAL ANALYSIS & SYNTHESIS IN THE MUSICAL FIELDS OF COGNITION & CREATION
DURING THE INTEGRATED MUSICAL PROCESS OF COGNITION AND CREATION

Subject of Study 6

Scientifically Studying the Universal Evolutionary Musical Harmony-Potential of UNIVERSAL CONSCIOUSNESS – the Universal Integration of Cognition & Creation – within the Universal Musical Evolution of our Creative Ability of Cosmic Feeling
Through the Integration of the Field of Knowledge of our Intellectual Understanding and the Field of Knowledge of the Musical
Sequence-Space
During / by the Integrated Analysis and Synthesis of the Sound

Seminar Series

The mechanics of the basic sound at the transition from the field of knowledge of the musical sequence-space to the field of knowledge of our feeling

The mechanics of the overtone spectrum of the sound at the transition from the field of knowledge of the musical sequence-space to the field of knowledge of our feeling

The mechanics of the periodic vibration of the sound at the transition from the field of knowledge of the musical sequence-space to the field of knowledge of our feeling

The mechanics of the vibration sequence of the sound at the transition from the field of knowledge of the musical sequence-space to the field of knowledge of our feeling

The mechanics of the aperiodic vibration of the sound at the transition from the field of knowledge of the musical sequence-space to the field of knowledge of our feeling

The mechanics of the attack of the sound at the transition from the field of knowledge of the musical sequence-space to the field of knowledge of our feeling

The mechanics of the decay of the sound at the transition from the field of knowledge of the musical sequence-space to the field of knowledge of our feeling

The overtone mechanics the sound at the transition from the field of knowledge of the musical sequence-space to the field of knowledge of our feeling

The mechanics of the vowel at the transition from the field of knowledge of the musical sequence-space to the field of knowledge of our feeling

The mechanics of the formants at the transition from the field of knowledge of the musical sequence-space to the field of knowledge of our feeling

The mechanics of the unvoiced consonant at the transition from the field of knowledge of the musical sequence-space to the field of knowledge of our feeling

The mechanics of the voiced consonant at the transition from the field of knowledge of the musical sequence-space to the field of knowledge of our feeling

The mechanics of the sound – of the combination of consonant and vowel – at the transition from the field of knowledge of the musical sequence-space to the field of knowledge of our feeling

Eigenfunction of the sound – of the combination of vowel and consonant – at the transition from the field of knowledge of the musical sequence-space to the field of knowledge of our feeling

Eigenfunction of the voiced consonant at the transition from the field of knowledge of the musical sequence-space to the field of knowledge of our feeling

Eigenfunction of the unvoiced consonant at the transition from the field of knowledge of the musical sequence-space to the field of knowledge of our feeling

Eigenfunction of the formants at the transition from the field of knowledge of the musical sequence-space to the field of knowledge of our feeling

Eigenfunction of the vowel at the transition from the field of knowledge of the musical sequence-space to the field of knowledge of our feeling

Eigenfunction of the overtone mechanics of the sound at the transition from the field of knowledge of the musical sequence-space to the field of knowledge of our feeling

Eigenfunction of the decay of the sound at the transition from the field of knowledge of the musical sequence-space to the field of knowledge of our feeling

Eigenfunction of the attack of the sound at the transition from the field of knowledge of the musical sequence-space to the field of knowledge of our feeling

Eigenfunction of the aperiodic vibration of the sound at the transition from the field of knowledge of the musical sequence-space to the field of knowledge of our feeling

Eigenfunction of the vibration sequence of the sound at the transition from the field of knowledge of the musical sequence-space to the field of knowledge of our feeling

Eigenfunction of the periodic vibration of the sound at the transition from the field of knowledge of the musical sequence-space to the field of knowledge of our feeling

Eigenfunction of the overtone spectrum of the sound at the transition from the field of knowledge of the musical sequence-space to the field of knowledge of our feeling

Eigenfunction of the basic sound at the transition from the field of knowledge of the musical sequence-space to the field of knowledge of our feeling