28. Cognitive Feeling and Musical Sequence-Space
Subject of Study 3
Scientifically Studying the Universal Evolutionary Musical Harmony-Potential
of UNIVERSAL CONSCIOUSNESS – the Universal Integration of Cognition & Creation – within
the Universal Musical Evolution of our Creative Ability of Cosmic Feeling
Through the Integration of the Field of Knowledge of our Intellectual
Understanding and the Field of Knowledge of the Musical
Sequence-Space
During / by the Integrated Analysis and Synthesis of Tone and Idea
Seminar Series
Integrated mechanics of the combination of basic tone and basic idea at the transition
from the field of knowledge of the musical sequence-space to the field of knowledge
of our feeling
Integrated mechanics of the combination of the overtone spectrum of the tone
with the idea derivation at the transition from the field of knowledge of the
musical sequence-space to the field of knowledge of our feeling
Integrated mechanics of the combination of the periodic vibration of the tone
with the periodic idea chain at the transition from the field of knowledge of
the musical sequence-space to the field of knowledge of our feeling
Integrated mechanics of the combination of the vibration sequence of the tone
with the idea sequence at the transition from the field of knowledge of the musical
sequence-space to the field of knowledge of our feeling
Integrated mechanics of the combination of the aperiodic vibration of the tone
with the aperiodic idea chain at the transition from the field of knowledge of
the musical sequence-space to the field of knowledge of our feeling
Integrated mechanics of the attacks of the combination of tone and idea at the
transition from the field of knowledge of the musical sequence-space to the field
of knowledge of our feeling
Integrated mechanics of the decays of the combination of tone and idea at the
transition from the field of knowledge of the musical sequence-space to the field
of knowledge of our feeling
Integrated overtone mechanics of the combination of tone and idea at the transition
from the field of knowledge of the musical sequence-space to the field of knowledge
of our feeling
Common Eigenfunction of the overtone mechanics of idea and tone at the transition
from the field of knowledge of the musical sequence-space to the field of knowledge
of our feeling
Common Eigenfunction of the decays of idea and tone at the transition from the
field of knowledge of the musical sequence-space to the field of knowledge of
our feeling
Common Eigenfunction of the attacks of idea and tone at the transition from the
field of knowledge of the musical sequence-space to the field of knowledge of
our feeling
Common Eigenfunction of the aperiodic idea chain and the aperiodic vibration
of the tone at the transition from the field of knowledge of the musical sequence-space
to the field of knowledge of our feeling
Common Eigenfunction of the idea sequence and of the vibration sequence of the
tone at the transition from the field of knowledge of the musical sequence-space
to the field of knowledge of our feeling
Common Eigenfunction of the periodic idea chain and the periodic vibration of
the tone at the transition from the field of knowledge of the musical sequence-space
to the field of knowledge of our feeling
Common Eigenfunction of the idea derivation and the overtone spectrum of the
tone at the transition from the field of knowledge of the musical sequence-space
to the field of knowledge of our feeling
Common Eigenfunction of the basic idea and basic tone at the transition from
the field of knowledge of the musical sequence-space to the field of knowledge
of our feeling