UNIVERSITÄT DER ZUKUNFT

SCIENTIFICALLY INTRODUCING UNIVERSALITY TO THE UNIVERSITY

.Deutsche Übersetzung in Arbeit

FACULTY OF PYTHAGORAS

SCIENTIFICALLY STUDYING THE HUMAN CAPACITY OF THE UNIVERSAL INTELLECTUAL MANAGEMENT
OF UNIVERSAL HUMAN EVOLUTION

STUDYING THE HARMONY LAWS OF THE MICROCOSM OF MUSIC WITHIN THE MUSICAL FIELDS OF COGNITION AND CREATION

28. Cognitive Feeling and Musical Sequence-Space

SCIENTIFICALLY STUDYING THE UNIVERSAL MUSICAL DEVELOPMENT OF HARMONY OF THE INTEGRATED FUNCTIONING OF COSMIC HUMAN LIFE, EVOLUTION & DIGNITY – THE UNIVERSAL EIGENFUNCTION OF COSMIC COGNITION & CREATIVITY – THE AUTHENTIC SCIENTIFIC PATH TO UNIVERSAL HARMONY – AND
THE NATURAL UNIVERSAL MUSICAL DEVELOPMENT OF HARMONY BETWEEN SCIENCE, ART, PHILOSOPHY, RELIGION, EDUCATION & MEDICINE – IN CONNECTION TO OBJECTIVE SCIENTIFIC RESEARCH IN THE FIELDS OF SCIENCE, ART, PHILOSOPHY, RELIGION, EDUCATION & MEDICINE UNDER THE AUSPICES OF MEDICINE –
AND IN COHERENCE WITH THE UNIVERSAL MUSICAL INTEGRATED STRUCTURAL & FUNCTIONAL DEVELOPMENT OF THE NATURAL UNIVERSAL COGNITIVE ABILITY OF OUR COSMIC FEELING
WITHIN THE INTEGRATED DEVELOPMENT OF THE UNIVERSAL EIGENFUNCTION OF HUMAN CONSCIOUSNESS & CREATIVITY
THROUGH INTEGRATED UNIVERSAL ANALYSIS & SYNTHESIS IN THE MUSICAL FIELDS OF COGNITION & CREATION
DURING THE INTEGRATED MUSICAL PROCESS OF COGNITION AND CREATION

Subject of Study 5

Scientifically Studying the Universal Evolutionary Musical Harmony-Potential of UNIVERSAL CONSCIOUSNESS – the Universal Integration of Cognition & Creation – within the Universal Musical Evolution of our Creative Ability of Cosmic Feeling
Through the Integration of the Field of Knowledge of our Intellectual Understanding and the Field of Knowledge of the Musical
Sequence-Space
During / by the Integrated Analysis and Synthesis of Tone and Sound

Seminar Series

Integrated mechanics of the combination of basic tone and basic sound at the transition from the field of knowledge of the musical sequence-space to the field of knowledge of our feeling

Integrated mechanics of the overtone spectra of the combination of tone and sound at the transition from the field of knowledge of the musical sequence-space to the field of knowledge of our feeling

Integrated mechanics of the periodic vibrations of the combination of tone and sound at the transition from the field of knowledge of the musical sequence-space to the field of knowledge of our feeling

Integrated mechanics of the vibration sequences of the combination of tone and sound at the transition from the field of knowledge of the musical sequence-space to the field of knowledge of our feeling

Integrated mechanics of the aperiodic vibrations of the combination of tone and sound at the transition from the field of knowledge of the musical sequence-space to the field of knowledge of our feeling

Integrated mechanics of the attacks of the combination of tone and sound at the transition from the field of knowledge of the musical sequence-space to the field of knowledge of our feeling

Integrated mechanics of the decays of the combination of tone and sound at the transition from the field of knowledge of the musical sequence-space to the field of knowledge of our feeling

Integrated overtone mechanics of the combination of tone and sound at the transition from the field of knowledge of the musical sequence-space to the field of knowledge of our feeling

Integrated mechanics of the combination of the tone with the vowel at the transition from the field of knowledge of the musical sequence-space to the field of knowledge of our feeling

Integrated mechanics of the combination of the overtone spectrum of the tone with the formants at the transition from the field of knowledge of the musical sequence-space to the field of knowledge of our feeling

Integrated mechanics of the combination of the tone with the unvoiced consonant at the transition from the field of knowledge of the musical sequence-space to the field of knowledge of our feeling

Integrated mechanics of the combination of the tone with the voiced consonant at the transition from the field of knowledge of the musical sequence-space to the field of knowledge of our feeling

Integrated mechanics of the combination of tone and sound at the transition from the field of knowledge of the musical sequence-space to the field of knowledge of our feeling

Common Eigenfunction of sound and tone at the transition from the field of knowledge of the musical sequence-space to the field of knowledge of our feeling

Common Eigenfunction of the voiced consonant and tone at the transition from the field of knowledge of the musical sequence-space to the field of knowledge of our feeling

Common Eigenfunction of the unvoiced consonant and tone at the transition from the field of knowledge of the musical sequence-space to the field of knowledge of our feeling

Common Eigenfunction of the formants and the overtone spectrum of the tone at the transition from the field of knowledge of the musical sequence-space to the field of knowledge of our feeling

Common Eigenfunction of vowel and tone at the transition from the field of knowledge of the musical sequence-space to the field of knowledge of our feeling

Common Eigenfunction of the overtone mechanics of sound and tone at the transition from the field of knowledge of the musical sequence-space to the field of knowledge of our feeling

Common Eigenfunction of the decays of sound and tone at the transition from the field of knowledge of the musical sequence-space to the field of knowledge of our feeling

Common Eigenfunction of the attacks of sound and tone at the transition from the field of knowledge of the musical sequence-space to the field of knowledge of our feeling

Common Eigenfunction of the aperiodic vibrations of sound and tone at the transition from the field of knowledge of the musical sequence-space to the field of knowledge of our feeling

Common Eigenfunction of the vibration sequences of sound and tone at the transition from the field of knowledge of the musical sequence-space to the field of knowledge of our feeling

Common Eigenfunction of the periodic vibrations of sound and tone at the transition from the field of knowledge of the musical sequence-space to the field of knowledge of our feeling

Common Eigenfunction of the overtone spectra of sound and tone at the transition from the field of knowledge of the musical sequence-space to the field of knowledge of our feeling

Common Eigenfunction of the basic sound and basic tone at the transition from the field of knowledge of the musical sequence-space to the field of knowledge of our feeling