UNIVERSITÄT DER ZUKUNFT

SCIENTIFICALLY INTRODUCING UNIVERSALITY TO THE UNIVERSITY

.Deutsche Übersetzung in Arbeit

FACULTY OF CULTURE – CURRICULUM

SCIENTIFICALLY STUDYING THE HUMAN CAPACITY OF THE UNIVERSAL INTELLECTUAL MANAGEMENT
OF THE UNIVERSAL HUMAN EVOLUTION OF
CULTURAL LIFE: HARMONY

STUDYING THE HARMONY LAWS OF THE MICROCOSM OF MUSIC WITHIN THE MUSICAL FIELDS OF COGNITION AND CREATION

30. Intellectual Discrimination and Musical Motif-Space

SCIENTIFICALLY STUDYING THE UNIVERSAL MUSICAL HARMONIC DEVELOPMENT OF THE INTEGRATED FUNCTIONING OF COSMIC HUMAN LIFE, EVOLUTION & DIGNITY: THE COSMIC HARMONY OF UNIVERSAL CULTURE – THE AUTHENTIC HUMAN HARMONIC PATH TO THE UNIVERSAL EIGENFUNCTION OF COSMIC COGNITION & CREATIVITY OF CULTURE – THE AUTHENTIC SCIENTIFIC PATH TO UNIVERSAL HARMONY – AND
THE NATURAL UNIVERSAL MUSICAL HARMONIC REVITALISATION OF THE UNIVERSAL TRADITION OF SCIENCE, ART, PHILOSOPHY, RELIGION, EDUCATION & MEDICINE OF THE GREAT ANCIENT CULTURES OF THE WORLD –
IN CONNECTION TO OBJECTIVE SCIENTIFIC RESEARCH IN THE FIELDS OF SCIENCE, ART, PHILOSOPHY, RELIGION, EDUCATION & MEDICINE UNDER THE AUSPICES OF MEDICINE –
AND IN COHERENCE WITH THE UNIVERSAL MUSICAL INTEGRATED STRUCTURAL & FUNCTIONAL DEVELOPMENT OF THE NATURAL UNIVERSAL EVOLUTION OF OUR COSMIC INTELLECTUAL UNDERSTANDING
WITHIN THE INTEGRATED DEVELOPMENT OF THE UNIVERSAL EIGENFUNCTION OF HUMAN CONSCIOUSNESS & CREATIVITY
THROUGH INTEGRATED UNIVERSAL ANALYSIS & SYNTHESIS IN THE MUSICAL FIELDS OF COGNTION & CREATION
DURING THE INTEGRATED MUSICAL PROCESS OF COGNITION AND CREATION

Subject of Study 6

Scientifically Studying the Universal Evolutionary Musical
Harmony-Potential of UNIVERSAL CONSCIOUSNESS –
the Universal Integration of Cognition & Creation – the Universal Eigenfunction of the Cosmic Moon and the Cosmic Sun – the Human Cultural Path to the Cosmic Stars – Life in Universal Harmony: Culture – within the Universal Musical Coordination of our Cosmic Intellectual Understanding with the Integrative Ability of our
Cosmic Feeling
Through the Integration of the Field of Knowledge of the Musical Motif-Space and the Field of Knowledge of our Understanding
During / by the Integrated Analysis and Synthesis of the Sound

Seminar Series

The mechanics of the basic sound at the transition from the field of knowledge of the musical motif-space to the field of knowledge of our understanding

The mechanics of the overtone spectrum of the sound at the transition from the field of knowledge of the musical motif-space to the field of knowledge of our understanding

The mechanics of the periodic vibration of the sound at the transition from the field of knowledge of the musical motif-space to the field of knowledge of our understanding

The mechanics of the vibration sequence of the sound at the transition from the field of knowledge of the musical motif-space to the field of knowledge of our understanding

The mechanics of the aperiodic vibration of the sound at the transition from the field of knowledge of the musical motif-space to the field of knowledge of our understanding

The mechanics of the attack of the sound at the transition from the field of knowledge of the musical motif-space to the field of knowledge of our understanding

The mechanics of the decay of the sound at the transition from the field of knowledge of the musical motif-space to the field of knowledge of our understanding

The overtone mechanics the sound at the transition from the field of knowledge of the musical motif-space to the field of knowledge of our understanding

The mechanics of the vowel at the transition from the field of knowledge of the musical motif-space to the field of knowledge of our understanding

The mechanics of the formants at the transition from the field of knowledge of the musical motif-space to the field of knowledge of our understanding

The mechanics of the unvoiced consonant at the transition from the field of knowledge of the musical motif-space to the field of knowledge of our understanding

The mechanics of the voiced consonant at the transition from the field of knowledge of the musical motif-space to the field of knowledge of our understanding

The mechanics of the sound – of the combination of consonant and vowel – at the transition from the field of knowledge of the musical motif-space to the field of knowledge of our understanding

Eigenfunction of the sound – of the combination of vowel and consonant – at the transition from the field of knowledge of the musical motif-space to the field of knowledge of our understanding

Eigenfunction of the voiced consonant at the transition from the field of knowledge of the musical motif-space to the field of knowledge of our understanding

Eigenfunction of the unvoiced consonant at the transition from the field of knowledge of the musical motif-space to the field of knowledge of our understanding

Eigenfunction of the formants at the transition from the field of knowledge of the musical motif-space to the field of knowledge of our understanding

Eigenfunction of the vowel at the transition from the field of knowledge of the musical motif-space to the field of knowledge of our understanding

Eigenfunction of the overtone mechanics of the sound at the transition from the field of knowledge of the musical motif-space to the field of knowledge of our understanding

Eigenfunction of the decay of the sound at the transition from the field of knowledge of the musical motif-space to the field of knowledge of our understanding

Eigenfunction of the attack of the sound at the transition from the field of knowledge of the musical motif-space to the field of knowledge of our understanding

Eigenfunction of the aperiodic vibration of the sound at the transition from the field of knowledge of the musical motif-space to the field of knowledge of our understanding

Eigenfunction of the vibration sequence of the sound at the transition from the field of knowledge of the musical motif-space to the field of knowledge of our understanding

Eigenfunction of the periodic vibration of the sound at the transition from the field of knowledge of the musical motif-space to the field of knowledge of our understanding

Eigenfunction of the overtone spectrum of the sound at the transition from the field of knowledge of the musical motif-space to the field of knowledge of our understanding

Eigenfunction of the basic sound at the transition from the field of knowledge of the musical motif-space to the field of knowledge of our understanding