19. Musical Motif-Space to Creative Field of Inner Hearing
Subject of Study 6
Scientifically Studying the Universal Coordinative Development of Human Creativity – the
Heaven – the Flying Aspect of the Dragon – within the Universal Coordination
of our Ability of Cosmic Intellectual Understanding with our Inner Cosmic Hearing
Ability
Through the Transition from the Field of Knowledge of the
Musical Motif-Space to the Field of Knowledge of our Hearing
During / by the Synthesis of the Sound
Seminar Series
at the transition of the sound of the combination of vowel and consonant
from the force-field of the musical motif-space to the force-field of our hearing
at the transition of the voiced consonant from the force-field of the musical
motif-space to the force-field of our hearing
at the transition of the unvoiced consonant from the force-field of the musical
motif-space to the force-field of our hearing
at the transition of the formants from the force-field of the musical motif-space
to the force-field of our hearing
at the transition of the vowel from the force-field of the musical motif-space
to the force-field of our hearing
at the transition of the overtone mechanics of the sound from the force-field
of the musical motif-space to the force-field of our hearing
at the transition of the decay of the sound from the force-field of the musical
motif-space to the force-field of our hearing
at the transition of the attack of the sound from the force-field of the musical
motif-space to the force-field of our hearing
at the transition of the aperiodic vibration of the sound from the force-field
of the musical motif-space to the force-field of our hearing
at the transition of the vibration sequence of the sound from the force-field
of the musical motif-space to the force-field of our hearing
at the transition of the periodic vibration of the sound from the force-field
of the musical motif-space to the force-field of our hearing
at the transition of the overtone spectrum of the sound from the force-field
of the musical motif-space to the force-field of our hearing
at the transition of the basic sound from the force-field of the musical motif-space
to the force-field of our hearing