32. Creative Field of Inner Hearing and Musical Tone-Space
Subject of Study 6
Scientifically Studying the Universal Evolutionary Musical Harmony-Potential
of UNIVERSAL CONSCIOUSNESS – the Universal Integration of Cognition & Creation – within
the Universal Musical Coordination of our Mind – our Universal Ability
of Evolutionary Cosmic Thinking – with our Inner Cosmic Hearing Ability
Through the Integration of the Field of our Inner Voice and
the Field of Knowledge of the Musical Tone-Space
During / by the Integrated Analysis and Synthesis of the Sound
Seminar Series
The mechanics of the basic sound at the transition from the field of knowledge
of the musical tone-space to the field of knowledge of our hearing
The mechanics of the overtone spectrum of the sound at the transition from the
field of knowledge of the musical tone-space to the field of knowledge of our
hearing
The mechanics of the periodic vibration of the sound at the transition from the
field of knowledge of the musical tone-space to the field of knowledge of our
hearing
The mechanics of the vibration sequence of the sound at the transition from the
field of knowledge of the musical tone-space to the field of knowledge of our
hearing
The mechanics of the aperiodic vibration of the sound at the transition from
the field of knowledge of the musical tone-space to the field of knowledge of
our hearing
The mechanics of the attack of the sound at the transition from the field of
knowledge of the musical tone-space to the field of knowledge of our hearing
The mechanics of the decay of the sound at the transition from the field of knowledge
of the musical tone-space to the field of knowledge of our hearing
The overtone mechanics the sound at the transition from the field of knowledge
of the musical tone-space to the field of knowledge of our hearing
The mechanics of the vowel at the transition from the field of knowledge of the
musical tone-space to the field of knowledge of our hearing
The mechanics of the formants at the transition from the field of knowledge of
the musical tone-space to the field of knowledge of our hearing
The mechanics of the unvoiced consonant at the transition from the field of knowledge
of the musical tone-space to the field of knowledge of our hearing
The mechanics of the voiced consonant at the transition from the field of knowledge
of the musical tone-space to the field of knowledge of our hearing
The mechanics of the sound of the combination of consonant and vowel at
the transition from the field of knowledge of the musical tone-space to the field
of knowledge of our hearing
Eigenfunction of the sound of the combination of vowel and consonant at
the transition from the field of knowledge of the musical tone-space to the field
of knowledge of our hearing
Eigenfunction of the voiced consonant at the transition from the field of knowledge
of the musical tone-space to the field of knowledge of our hearing
Eigenfunction of the unvoiced consonant at the transition from the field of knowledge
of the musical tone-space to the field of knowledge of our hearing
Eigenfunction of the formants at the transition from the field of knowledge of
the musical tone-space to the field of knowledge of our hearing
Eigenfunction of the vowel at the transition from the field of knowledge of the
musical tone-space to the field of knowledge of our hearing
Eigenfunction of the overtone mechanics of the sound at the transition from the
field of knowledge of the musical tone-space to the field of knowledge of our
hearing
Eigenfunction of the decay of the sound at the transition from the field of knowledge
of the musical tone-space to the field of knowledge of our hearing
Eigenfunction of the attack of the sound at the transition from the field of
knowledge of the musical tone-space to the field of knowledge of our hearing
Eigenfunction of the aperiodic vibration of the sound at the transition from
the field of knowledge of the musical tone-space to the field of knowledge of
our hearing
Eigenfunction of the vibration sequence of the sound at the transition from the
field of knowledge of the musical tone-space to the field of knowledge of our
hearing
Eigenfunction of the periodic vibration of the sound at the transition from the
field of knowledge of the musical tone-space to the field of knowledge of our
hearing
Eigenfunction of the overtone spectrum of the sound at the transition from the
field of knowledge of the musical tone-space to the field of knowledge of our
hearing
Eigenfunction of the basic sound at the transition from the field of knowledge
of the musical tone-space to the field of knowledge of our hearing