UNIVERSITÄT DER ZUKUNFT
UNIVERSITÄT DER ZUKUNFT
SCIENTIFICALLY INTRODUCING UNIVERSALITY TO THE UNIVERSITY
. . .Deutsche Übersetzung in Arbeit

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The Cosmic
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Peter Hübner
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Scientifically Studying
the Human Capacity of
Universal Intellectual
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of Cosmic Knowledge

26.
Coordinative Intellect and Musical Harmony Space

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FACULTY OF PYTHAGORAS
SCIENTIFICALLY STUDYING THE HUMAN CAPACITY OF THE UNIVERSAL INTELLECTUAL MANAGEMENT
OF UNIVERSAL HUMAN EVOLUTION
STUDYING THE HARMONY LAWS OF THE MICROCOSM OF MUSIC WITHIN THE MUSICAL FIELDS OF COGNITION AND CREATION
26. Coordinative Intellect and Musical Harmony-Space

SCIENTIFICALLY STUDYING THE UNIVERSAL MUSICAL DEVELOPMENT OF HARMONY OF THE INTEGRATED FUNCTIONING OF COSMIC HUMAN LIFE, EVOLUTION & DIGNITY – THE UNIVERSAL EIGENFUNCTION OF COSMIC COGNITION & CREATIVITY – THE AUTHENTIC SCIENTIFIC PATH TO UNIVERSAL HARMONY – AND
THE NATURAL UNIVERSAL MUSICAL DEVELOPMENT OF HARMONY BETWEEN SCIENCE, ART, PHILOSOPHY, RELIGION, EDUCATION & MEDICINE – IN CONNECTION TO OBJECTIVE SCIENTIFIC RESEARCH IN THE FIELDS OF SCIENCE, ART, PHILOSOPHY, RELIGION, EDUCATION & MEDICINE UNDER THE AUSPICES OF MEDICINE –
AND IN COHERENCE WITH THE UNIVERSAL MUSICAL INTEGRATED STRUCTURAL & FUNCTIONAL DEVELOPMENT OF THE NATURAL UNIVERSAL COORDINATIVE ABILITY OF OUR COSMIC INTELLECT

WITHIN THE INTEGRATED DEVELOPMENT OF THE UNIVERSAL EIGENFUNCTION OF HUMAN CONSCIOUSNESS & CREATIVITY
THROUGH INTEGRATED UNIVERSAL ANALYSIS & SYNTHESIS IN THE MUSICAL FIELDS OF COGNITION & CREATION
DURING THE INTEGRATED MUSICAL PROCESS OF COGNITION AND CREATION


Subject of Study 6

Scientifically Studying the Universal Evolutionary Musical Harmony-Potential of UNIVERSAL CONSCIOUSNESS – the Universal Integration of Cognition & Creation – within the Universal Musical Evolution of the Universal Coordinative Ability of our Cosmic Intellect
Through the Integration of the Field of Knowledge of our Feeling and the Field of Knowledge of the Musical Harmony-Space
During / by the Integrated Analysis and Synthesis of the Sound


Seminar Series

The mechanics of the basic sound at the transition from the field of knowledge of the musical harmony-space to the field of knowledge of our intellect

The mechanics of the overtone spectrum of the sound at the transition from the field of knowledge of the musical harmony-space to the field of knowledge of our intellect

The mechanics of the periodic vibration of the sound at the transition from the field of knowledge of the musical harmony-space to the field of knowledge of our intellect

The mechanics of the vibration sequence of the sound at the transition from the field of knowledge of the musical harmony-space to the field of knowledge of our intellect

The mechanics of the aperiodic vibration of the sound at the transition from the field of knowledge of the musical harmony-space to the field of knowledge of our intellect

The mechanics of the attack of the sound at the transition from the field of knowledge of the musical harmony-space to the field of knowledge of our intellect

The mechanics of the decay of the sound at the transition from the field of knowledge of the musical harmony-space to the field of knowledge of our intellect

The overtone mechanics the sound at the transition from the field of knowledge of the musical harmony-space to the field of knowledge of our intellect

The mechanics of the vowel at the transition from the field of knowledge of the musical harmony-space to the field of knowledge of our intellect

The mechanics of the formants at the transition from the field of knowledge of the musical harmony-space to the field of knowledge of our intellect

The mechanics of the unvoiced consonant at the transition from the field of knowledge of the musical harmony-space to the field of knowledge of our intellect

The mechanics of the voiced consonant at the transition from the field of knowledge of the musical harmony-space to the field of knowledge of our intellect

The mechanics of the sound – of the combination of consonant and vowel – at the transition from the field of knowledge of the musical harmony-space to the field of knowledge of our intellect

Eigenfunction of the sound – of the combination of vowel and consonant – at the transition from the field of knowledge of the musical harmony-space to the field of knowledge of our intellect

Eigenfunction of the voiced consonant at the transition from the field of knowledge of the musical harmony-space to the field of knowledge of our intellect

Eigenfunction of the unvoiced consonant at the transition from the field of knowledge of the musical harmony-space to the field of knowledge of our intellect

Eigenfunction of the formants at the transition from the field of knowledge of the musical harmony-space to the field of knowledge of our intellect

Eigenfunction of the vowel at the transition from the field of knowledge of the musical harmony-space to the field of knowledge of our intellect

Eigenfunction of the overtone mechanics of the sound at the transition from the field of knowledge of the musical harmony-space to the field of knowledge of our intellect

Eigenfunction of the decay of the sound at the transition from the field of knowledge of the musical harmony-space to the field of knowledge of our intellect

Eigenfunction of the attack of the sound at the transition from the field of knowledge of the musical harmony-space to the field of knowledge of our intellect

Eigenfunction of the aperiodic vibration of the sound at the transition from the field of knowledge of the musical harmony-space to the field of knowledge of our intellect

Eigenfunction of the vibration sequence of the sound at the transition from the field of knowledge of the musical harmony-space to the field of knowledge of our intellect

Eigenfunction of the periodic vibration of the sound at the transition from the field of knowledge of the musical harmony-space to the field of knowledge of our intellect

Eigenfunction of the overtone spectrum of the sound at the transition from the field of knowledge of the musical harmony-space to the field of knowledge of our intellect

Eigenfunction of the basic sound at the transition from the field of knowledge of the musical harmony-space to the field of knowledge of our intellect