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The Great Musical Turning-Point

Objectivity of the Outer Gaining Knowledge in Music

The fact that the musical creation,
6. 10, 11, 9. 14, 15, 16. 26, 27
5. 9, 6. 10, 10. 16, 17, 17. 28, 29
5. 6, 7, 10. 18, 19, 17. 30, 31
4. 4, 5, 11. 20, 21, 18. 32, 33

as it sounds outside,
1.-3. 1, 2, 12.-14. 23, 24, 19.-21. 35, 36

stimulates the music listener’s mind
1.-3. 2, 3, 12.-14. 22, 23, 19.-21. 34, 35

to reverberate,
1.-3. 3, 11. 21, 12.-14. 22, 18. 33, 19. 34

is now but an objective process to the music listener, which takes place all by itself.