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The Unreality of Created Music

From the field of pure self-knowledge,
7. 12, 8. 13, 15. 25

from the absolute force-field of the harmony,
6. 10, 11, 9. 14, 15, 16. 26, 27

we understand the non-reality of the relative sphere of music –
4. 4, 5, 11. 20, 21, 18. 32, 33
5. 6, 7, 10. 18, 19, 17. 30, 31
5. 9, 6. 10, 10. 16, 17, 17. 28, 29
6. 10, 11, 9. 14, 15, 16. 26, 27

and, correspondingly, of relative musical knowledge –
5. 7, 8, 6. 11, 7. 12, 8. 13, 9. 14, 10. 17, 18, 15. 25, 16. 26, 17. 29, 30
7. 12, 8. 13, 15. 25
4, 6-9, 11, 15-21
6. 11, 7. 12, 8. 13, 9. 14, 15. 25, 16. 26
5. 9, 6. 10, 11, 7. 12, 8. 13, 9. 14, 15, 10. 16, 15. 25, 16. 26, 27, 17. 28
1.-3. 3, 11. 21, 12.-14. 22, 18. 33, 19. 34
1.-3. 2, 3, 12.-14. 22, 23, 19.-21. 34, 35
6. 10, 11, 9. 14, 15, 16. 26, 27
5. 9, 6. 10, 10. 16, 17, 17. 28, 29
5. 6, 7, 10. 18, 19, 17. 30, 31
4. 4, 5, 11. 20, 21, 18. 32, 33

and we are even sure now that our personal musical way of knowledge into the infinity of the harmony was only possible by virtue of a miracle – although, maybe, a musical miracle.

Such is the nature of musical knowledge.