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The Musical Means for Structuring Space and Time

The distance between each of the overtones is the means for structuring space, and the rhythm, in which the overtones structure the musical sound-space,
4. 4, 5, 11. 20, 21, 18. 32, 33

is the means for structuring time.
Thus, in the microcosm of music, the rhythmical structure is associated with time and the interval structure with space.

Controlling the Rise of Space and Time in Music

In the gross, outer macrocosm of the composition, rhythm and interval are not able to express space and time sufficiently and to realistically display an integrated space-time relationship within the listener.
4. 5, 5. 6, 10. 19, 11. 20, 17. 31, 18. 32

This requires compositional power over the microcosm of music,
4, 11, 18
5, 10, 17
5. 7, 8, 9, 6. 10, 11, 7. 12, 8. 13, 9. 14, 15, 10. 16, 17, 18, 15. 25,
16. 26, 27, 17. 28, 29, 30

i. e. the instrumental control over the mechanics of overtones – the world of subtle sounds which, because of their high level of energy, directly touch the inner power of imagination
1.-3. 3, 11. 21, 12.-14. 22, 18. 33, 19. 34
1.-3. 2, 3, 12.-14. 22, 23, 19.-21. 34, 35

within us listeners.
4. 5, 5. 6, 10. 19, 11. 20, 17. 31, 18. 32
4. 4, 5, 11. 20, 21, 18. 32, 33