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The Feeling Drags the Understanding along to the
Ancient Mothers of Music

Therefore, the understanding
5. 7, 8, 6. 11, 7. 12, 8. 13, 9. 14, 10. 17, 18, 15. 25, 16. 26, 17. 29, 30

decides from this moment on to go backwards for safety’s sake, because on its further way with the feeling
5. 9, 6. 10, 11, 7. 12, 8. 13, 9. 14, 15, 10. 16, 15. 25, 16. 26, 27, 17. 28

into the realm of the sequence,
5. 9, 6. 10, 10. 16, 17, 17. 28, 29

its beloved stars in the musical sound-space appear more and more remote and indistinct.

But the feeling

5. 9, 6. 10, 11, 7. 12, 8. 13, 9. 14, 15, 10. 16, 15. 25, 16. 26, 27, 17. 28

drags it
5. 7, 8, 6. 11, 7. 12, 8. 13, 9. 14, 10. 17, 18, 15. 25, 16. 26, 17. 29, 30

along into the realm of the sequences,
5. 9, 6. 10, 10. 16, 17, 17. 28, 29

to the ancient mothers of music, from which all musical motifs
5. 6, 7, 10. 18, 19, 17. 30, 31

emerge – like children emerge from their mother – before they unfold into melodies on their individual life-paths.