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Musical Sequences within and without Space and Time

When the sounds
4. 4, 5, 11. 20, 21, 18. 32, 33

emerge
5. 7, 8, 6. 11, 7. 12, 8. 13, 9. 14, 10. 17, 18, 15. 25, 16. 26, 17. 29, 30
7. 12, 8. 13, 15. 25

from the absolute sound-substance
4, 11, 18

and advance
6. 11, 7. 12, 8. 13, 9. 14, 15. 25, 16. 26
5. 9, 6. 10, 11, 7. 12, 8. 13, 9. 14, 15, 10. 16, 15. 25, 16. 26, 27, 17. 28

towards the integrated relation of space and time,
5, 10, 17

then the musical force-fields of the sequences are created –
5. 9, 6. 10, 10. 16, 17, 17. 28, 29

which are anchored beyond space and time in the harmony,
6. 10, 11, 9. 14, 15, 16. 26, 27

but which, at the same time, unfold
1.-3. 3, 11. 21, 12.-14. 22, 18. 33, 19. 34
1.-3. 2, 3, 12.-14. 22, 23, 19.-21. 34, 35

in an integrated space-time relationship
4, 11, 18

in the space and time of musical evolution.
5, 10, 17
5. 9, 6. 10, 10. 16, 17, 17. 28, 29
5. 6, 7, 10. 18, 19, 17. 30, 31
4. 4, 5, 11. 20, 21, 18. 32, 33