“I have very definite impressions while in that trance-like condition, 5. 7, 8, 6. 11, 7. 12, 8. 13, 9. 14, 10. 17, 18, 15. 25, 16. 26, 17. 29, 30 4. 11. 18.-21. which is the prerequisite of all true creative effort. 5. 9, 6. 10, 11, 7. 12, 8. 13, 9. 14, 15, 10. 16, 15. 25, 16. 26, 27, 17. 28 I feel 4. 5, 5. 6, 10. 19, 11. 20, 17. 31, 18. 32 that I am one with this vibrating Force, 4. 11. 18. that it is Omniscient, 5. 7, 8, 6. 11, 7. 12, 8. 13, 9. 14, 10. 17, 18, 15. 25, 16. 26, 17. 29, 30 5. 10. 17. and that I can draw upon it to an extent 5. 9, 6. 10, 11, 7. 12, 8. 13, 9. 14, 15, 10. 16, 15. 25, 16. 26, 27, 17. 28 that is limited only by my own capacity do so. 1.-3. 2, 3, 11. 21, 12.-14. 22, 23, 18. 33, 19.-21. 34, 35 4. 5, 5. 6, 10. 19, 11. 20, 17. 31, 18. 32 1.-3. 1, 2, 12.-14. 23, 24, 19.-21. 35, 36 Why did Beethoven appropriate it to a far greater degree than Dittersdorf, to name only one of the many minor composers of that period? Because Beethoven was much more aware of his oneness with Divinity 5. 7, 8, 9, 6. 10, 11, 7. 12, 8. 13, 9. 14, 15, 10. 16, 17, 18, 15. 25, 16. 26, 27, 17. 28, 29, 30 7. 8. 15. 6. 9. 16. 4. 11. 18. 5. 10. 17. 6. 10, 11, 9. 14, 15, 16. 26, 27 5. 9, 6. 10, 10. 16, 17, 17. 28, 29 5. 6, 7, 10. 18, 19, 17. 30, 31 4. 4, 5, 11. 20, 21, 18. 32, 33 than was Dittersdorf. 1.-3. Beethoven himself said so. We have documentary evidence to that effect.” Richard Wagner

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