UNIVERSITÄT DER ZUKUNFT
UNIVERSITÄT DER ZUKUNFT
SCIENTIFICALLY INTRODUCING UNIVERSALITY TO THE UNIVERSITY
. . .Deutsche Übersetzung in Arbeit

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Peter Hübner
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Scientifically Studying
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18.
Intellectual Discrimination to Musical Motif Space

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FACULTY OF CULTURE – CURRICULUM
SCIENTIFICALLY STUDYING THE UNIVERSAL
MUSICAL FUNCTIONING OF COSMIC HUMAN LIFE
THROUGH UNIVERSAL SYNTHESIS IN THE MUSICAL FIELDS OF CREATION
18. Intellectual Discrimination to Musical Motif-Space

SCIENTIFICALLY STUDYING THE UNIVERSAL MUSICAL FUNCTIONAL DEVELOPMENT OF COSMIC HUMAN LIFE, EVOLUTION & DIGNITY – THE COSMIC FUNCTIONING OF UNIVERSAL CULTURE – THE AUTHENTIC HUMAN INTUITIVE PATH TO THE UNIVERSAL CREATIVITY OF CULTURE – THE AUTHENTIC SCIENTIFIC PATH TO UNIVERSAL FUNCTIONAL HARMONY – AND
THE NATURAL UNIVERSAL MUSICAL FUNCTIONAL REVITALISATION OF THE UNIVERSAL TRADITION OF SCIENCE, ART, PHILOSOPHY, RELIGION, EDUCATION & MEDICINE OF THE GREAT ANCIENT CULTURES OF THE WORLD –
IN CONNECTION TO OBJECTIVE SCIENTIFIC RESEARCH IN THE FIELDS OF SCIENCE, ART, PHILOSOPHY, RELIGION, EDUCATION & MEDICINE UNDER THE AUSPICES OF MEDICINE –
AND IN COHERENCE WITH THE UNIVERSAL MUSICAL FUNCTIONAL DEVELOPMENT OF THE NATURAL UNIVERSAL ABILITY OF COSMIC INTELLECTUAL DISCRIMINATION

WITHIN THE UNIVERSAL DEVELOPMENT OF HUMAN CREATIVITY
THROUGH UNIVERSAL SYNTHESIS IN THE MUSICAL FIELDS OF CREATION
DURING THE MUSICAL PROCESS OF CREATION


Subject of Study 1

Scientifically Studying Creativity – the Universal Functioning of the Cosmic Sun – the Human Cultural Path to Cosmic Intuition –
within the Universal Musical Creative Ability of our Intellectual Understanding
During the Transition from the Field of Knowledge of our Intellectual Understanding to the Field of Knowledge of the Musical Motif-Space
During / by the Integrated Synthesis of Tone, Sound and Idea


Seminar Series

at the transition of idea, sound and tone from the force-field of our understanding to the force-field of the musical motif-space

at the transition of idea, voiced consonant and tone from the force-field of our understanding to the force-field of the musical motif-space

at the transition of idea, unvoiced consonant and tone from the force-field of our understanding to the force-field of the musical motif-space

at the transition of the idea derivation, the formants and the overtone spectrum of the tone from the force-field of our understanding to the force-field of the musical motif-space

at the transition of the idea, the vowel and tone from the force-field of our understanding to the force-field of the musical motif-space

at the transition of the overtone mechanics of the idea, sound and tone from the force-field of our understanding to the force-field of the musical motif-space

at the transition of the decays of the idea, sound and tone from the force-field of our understanding to the force-field of the musical motif-space

at the transition of the attacks of the idea, sound and tone from the force-field of our understanding to the force-field of the musical motif-space

at the transition of the aperiodic idea chain and the aperiodic vibrations of sound and tone from the force-field of our understanding to the force-field of the musical motif-space

at the transition of the idea sequence and the vibration sequences of sound and tone from the force-field of our understanding to the force-field of the musical motif-space

at the transition of the periodic idea chain and the periodic vibrations of sound and tone from the force-field of our understanding to the force-field of the musical motif-space

at the transition of the idea derivation and the overtone spectra of sound and tone from the force-field of our understanding to the force-field of the musical motif-space

at the transition of basic idea, basic sound and basic tone from the force-field of our understanding to the force-field of the musical motif-space