UNIVERSITÄT DER ZUKUNFT
UNIVERSITÄT DER ZUKUNFT
SCIENTIFICALLY INTRODUCING UNIVERSALITY TO THE UNIVERSITY
. . .Deutsche Übersetzung in Arbeit

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Peter Hübner
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Scientifically Studying
the Universal Potential
of Human Creativity
within our Cosmic
Human Functioning

17.
Musical Sequence Space to Discriminative Intellect

Subject of Study 1

Subject of Study 2

Subject of Study 3

Subject of Study 4

Subject of Study 5

Subject of Study 6

Subject of Study 7

 

 

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FACULTY OF THE VEDA – CURRICULUM
SCIENTIFICALLY STUDYING THE UNIVERSAL
MUSICAL FUNCTIONING OF COSMIC HUMAN LIFE
THROUGH UNIVERSAL SYNTHESIS IN THE MUSICAL FIELDS OF CREATION
17. Musical Sequence-Space to Discriminative Intellect

SCIENTIFICALLY STUDYING THE UNIVERSAL MUSICAL FUNCTIONAL DEVELOPMENT OF COSMIC HUMAN LIFE, EVOLUTION & DIGNITY – THE COSMIC FUNCTIONING OF THE SEER – THE AUTHENTIC HUMAN INTUITIVE PATH TO THE UNIVERSAL CREATIVITY OF THE VEDA – AND
THE NATURAL UNIVERSAL MUSICAL FUNCTIONAL DEVELOPMENT OF SCIENCE, ART, PHILOSOPHY, RELIGION, EDUCATION & MEDICINE –
IN CONNECTION TO OBJECTIVE SCIENTIFIC RESEARCH IN THE FIELDS OF SCIENCE, ART, PHILOSOPHY, RELIGION, EDUCATION & MEDICINE UNDER THE AUSPICES OF MEDICINE –
AND IN COHERENCE WITH THE UNIVERSAL MUSICAL FUNCTIONAL DEVELOPMENT OF THE NATURAL UNIVERSAL COORDINATION OF OUR COSMIC INTELLECTUAL UNDERSTANDING WITH OUR INTEGRATIVE ABILITY OF COSMIC FEELING

WITHIN THE UNIVERSAL DEVELOPMENT OF HUMAN CREATIVITY
THROUGH UNIVERSAL SYNTHESIS IN THE MUSICAL FIELDS OF CREATION
DURING THE MUSICAL PROCESS OF CREATION


Subject of Study 3

Scientifically Studying the Universal Coordinative Development of Human Creativity – the Universal Functional Development of the
Seer – the Human Realisation of the Veda –
Through the Universal Musical Coordination of the Creative Abilities of our Cosmic Intellectual Understanding with the Integrative Ability of our Cosmic Feeling
During the Transition from the Field of Creativity of our Intellect
to the Force-Field of the Musical Sequence-Space

By the Integrated Synthesis of Idea and Tone


Seminar Series

at the transition of the overtone mechanics of idea and tone from the force-field of the musical sequence-space to the force-field of our understanding

at the transition of the decays of idea and tone from the force-field of the musical sequence-space to the force-field of our understanding

at the transition of the attacks of idea and tone from the force-field of the musical sequence-space to the force-field of our understanding

at the transition of the aperiodic idea chain and the aperiodic vibration of the tone from the force-field of the musical sequence-space to the force-field of our understanding

at the transition of the idea sequence and of the vibration sequence of the tone from the force-field of the musical sequence-space to the force-field of our understanding

at the transition of the periodic idea chain and of the periodic vibration of the tone from the force-field of the musical sequence-space to the force-field of our understanding

at the transition of the idea derivation and the overtone spectrum of the tone from the force-field of the musical sequence-space to the force-field of our understanding

at the transition of basic idea and basic tone from the force-field of the musical sequence-space to the force-field of our understanding

at the transition of the aperiodic idea chain and the aperiodic vibrations of sound and tone from the force-field of the musical sequence-space to the force-field of our understanding

at the transition of the idea sequence and the vibration sequences of sound and tone from the force-field of the musical sequence-space to the force-field of our understanding

at the transition of the periodic idea chain and the periodic vibrations of sound and tone from the force-field of the musical sequence-space to the force-field of our understanding

at the transition of the idea derivation and the overtone spectra of sound and tone from the force-field of the musical sequence-space to the force-field of our understanding

at the transition of basic idea and basic tone from the force-field of the musical sequence-space to the force-field of our understanding