UNIVERSITÄT DER ZUKUNFT
UNIVERSITÄT DER ZUKUNFT
SCIENTIFICALLY INTRODUCING UNIVERSALITY TO THE UNIVERSITY
. . .Deutsche Übersetzung in Arbeit

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Peter Hübner
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Scientifically Studying
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Human Functioning

16.
Cognitive Feeling to Musical Sequence Space

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Subject of Study 6

Subject of Study 7

 

 

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FACULTY OF THE VEDA – CURRICULUM
SCIENTIFICALLY STUDYING THE UNIVERSAL
MUSICAL FUNCTIONING OF COSMIC HUMAN LIFE
THROUGH UNIVERSAL SYNTHESIS IN THE MUSICAL FIELDS OF CREATION
16. Cognitive Feeling to Musical Sequence-Space

SCIENTIFICALLY STUDYING THE UNIVERSAL MUSICAL FUNCTIONAL DEVELOPMENT OF COSMIC HUMAN LIFE, EVOLUTION & DIGNITY – THE COSMIC FUNCTIONING OF THE SEER – THE AUTHENTIC HUMAN INTUITIVE PATH TO THE UNIVERSAL CREATIVITY OF THE VEDA – AND
THE NATURAL UNIVERSAL MUSICAL FUNCTIONAL DEVELOPMENT OF SCIENCE, ART, PHILOSOPHY, RELIGION, EDUCATION & MEDICINE –
IN CONNECTION TO OBJECTIVE SCIENTIFIC RESEARCH IN THE FIELDS OF SCIENCE, ART, PHILOSOPHY, RELIGION, EDUCATION & MEDICINE UNDER THE AUSPICES OF MEDICINE –
AND IN COHERENCE WITH THE UNIVERSAL MUSICAL FUNCTIONAL DEVELOPMENT OF THE NATURAL UNIVERSAL CREATIVE ABILITY OF OUR COSMIC FEELING

WITHIN THE UNIVERSAL DEVELOPMENT OF HUMAN CREATIVITY
THROUGH UNIVERSAL SYNTHESIS IN THE MUSICAL FIELDS OF CREATION
DURING THE MUSICAL PROCESS OF CREATION


Subject of Study 6

Scientifically Studying Creativity – the Universal Functioning of the Seer – the Human Realisation of the Veda – within the Universal Musical Creative Ability of our Cosmic Feeling
Through the Transition from the Field of Creativity of our Feeling
to the Force-Field of the Musical Sequence-Space

During / by the Synthesis of the Sound


Seminar Series

at the transition of the sound – of the combination of vowel and consonant – from the force-field of our feeling to the force-field of the musical sequence-space

at the transition of the voiced consonant from the force-field of our feeling to the force-field of the musical sequence-space

at the transition of the unvoiced consonant from the force-field of our feeling to the force-field of the musical sequence-space

at the transition of the formants from the force-field of our feeling to the force-field of the musical sequence-space

at the transition of the vowel from the force-field of our feeling to the force-field of the musical sequence-space

at the transition of the overtone mechanics of the sound from the force-field of our feeling to the force-field of the musical sequence-space

at the transition of the decay of the sound from the force-field of our feeling to the force-field of the musical sequence-space

at the transition of the attack of the sound from the force-field of our feeling to the force-field of the musical sequence-space

at the transition of the aperiodic vibration of the sound from the force-field of our feeling to the force-field of the musical sequence-space

at the transition of the vibration sequence of the sound from the force-field of our feeling to the force-field of the musical sequence-space

at the transition of the periodic vibration of the sound from the force-field of our feeling to the force-field of the musical sequence-space

at the transition of the overtone spectrum of the sound from the force-field of our feeling to the force-field of the musical sequence-space

at the transition of the basic sound from the force-field of our feeling to the force-field of the musical sequence-space