UNIVERSITÄT DER ZUKUNFT
UNIVERSITÄT DER ZUKUNFT
SCIENTIFICALLY INTRODUCING UNIVERSALITY TO THE UNIVERSITY
. . .Deutsche Übersetzung in Arbeit

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The Cosmic
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Peter Hübner
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Scientifically Studying
the Universal Potential
of Human Creativity
within our Cosmic
Human Functioning

15.
Musical Harmony Space to Integrative Feeling

Subject of Study 1

Subject of Study 2

Subject of Study 3

Subject of Study 4

Subject of Study 5

Subject of Study 6

Subject of Study 7

 

 

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FACULTY OF THE VEDA – CURRICULUM
SCIENTIFICALLY STUDYING THE UNIVERSAL
MUSICAL FUNCTIONING OF COSMIC HUMAN LIFE
THROUGH UNIVERSAL SYNTHESIS IN THE MUSICAL FIELDS OF CREATION
15. Musical Harmony-Space to Integrative Feeling

SCIENTIFICALLY STUDYING THE UNIVERSAL FUNCTIONAL DEVELOPMENT OF COSMIC HUMAN LIFE, EVOLUTION & DIGNITY –
THE AUTHENTIC CREATIVE PATH TO THE VEDA – AND

THE NATURAL UNIVERSAL FUNCTIONAL DEVELOPMENT OF THE THE VEDA – IN CONNECTION TO OBJECTIVE SCIENTIFIC RESEARCH IN THE FIELDS OF THE VEDA UNDER THE AUSPICES OF MEDICINE –
AND IN COHERENCE WITH THE UNIVERSAL MUSICAL FUNCTIONAL DEVELOPMENT OF THE NATURAL UNIVERSAL INTEGRATIVE ABILITY OF OUR COSMIC FEELING

WITHIN THE UNIVERSAL DEVELOPMENT OF HUMAN CREATIVITY
THROUGH UNIVERSAL SYNTHESIS IN THE MUSICAL FIELDS OF CREATION
DURING THE MUSICAL PROCESS OF CREATION


Subject of Study 7

Scientifically Studying Creativity – the Universal Functioning of the Seer – the Human Realisation of the Veda – within the Universal Musical Integrative Ability of our Cosmic Feeling
During the Transition from the Force-Field of the Musical
Harmony-Space to the Field of Creativity of our Feeling

By the Synthesis of the Tone


Seminar Series

at the transition of the overtone mechanics of the tone from the force-field of the musical harmony-space to the force-field of our feeling

at the transition of the decay of the tone from the force-field of the musical harmony-space to the force-field of our feeling

at the transition of the attack of the tone from the force-field of the musical harmony-space to the force-field of our feeling

at the transition of the aperiodic vibration of the tone from the force-field of the musical harmony-space to the force-field of our feeling

at the transition of the vibration sequence of the tone from the force-field of the musical harmony-space to the force-field of our feeling

at the transition of the periodic vibration of the tone from the force-field of the musical harmony-space to the force-field of our feeling

at the transition of the overtone spectrum of the tone from the force-field of the musical harmony-space to the force-field of our feeling

at the transition of the basic tone from the force-field of the musical harmony-space to the force-field of our feeling