SCIENTIFICALLY STUDYING THE UNIVERSAL MUSICAL DEVELOPMENT OF HARMONY OF THE INTEGRATED FUNCTIONING OF COSMIC HUMAN LIFE, EVOLUTION & DIGNITY – THE UNIVERSAL EIGENFUNCTION OF COSMIC COGNITION & CREATIVITY – THE AUTHENTIC SCIENTIFIC PATH TO UNIVERSAL HARMONY – AND
THE NATURAL UNIVERSAL MUSICAL DEVELOPMENT OF HARMONY BETWEEN SCIENCE, ART, PHILOSOPHY, RELIGION, EDUCATION & MEDICINE – IN CONNECTION TO OBJECTIVE SCIENTIFIC RESEARCH IN THE FIELDS OF SCIENCE, ART, PHILOSOPHY, RELIGION, EDUCATION & MEDICINE UNDER THE AUSPICES OF MEDICINE –
AND IN COHERENCE WITH THE UNIVERSAL MUSICAL INTEGRATED STRUCTURAL & FUNCTIONAL DEVELOPMENT OF THE NATURAL UNIVERSAL COORDINATION OF OUR INNER COSMIC HEARING ABILITY WITH OUR EVOLUTIONARY COSMIC INTELLECTUAL UNDERSTANDING
WITHIN THE INTEGRATED DEVELOPMENT OF THE UNIVERSAL EIGENFUNCTION OF HUMAN CONSCIOUSNESS & CREATIVITY THROUGH INTEGRATED UNIVERSAL ANALYSIS & SYNTHESIS IN THE MUSICAL FIELDS OF COGNITION & CREATION DURING THE INTEGRATED MUSICAL PROCESS OF COGNITION AND CREATION

Integrated mechanics of the combination of basic sound and basic idea at the transition from the field of knowledge of our hearing to the field of knowledge of the musical motif-space

Integrated mechanics of the combination of the overtone spectrum of the sound with the idea derivation at the transition from the field of knowledge of our hearing to the field of knowledge of the musical motif-space

Integrated mechanics of the combination of the periodic vibration of the sound with the periodic idea chain at the transition from the field of knowledge of our hearing to the field of knowledge of the musical motif-space

Integrated mechanics of the combination of the vibration sequence of the sound with the idea sequence at the transition from the field of knowledge of our hearing to the field of knowledge of the musical motif-space

Integrated mechanics of the combination of the aperiodic vibration of the sound with the aperiodic idea chain at the transition from the field of knowledge of our hearing to the field of knowledge of the musical motif-space

Integrated mechanics of the attacks of the combination of sound and idea at the transition from the field of knowledge of our hearing to the field of knowledge of the musical motif-space

Integrated mechanics of the decays of the combination of sound and idea at the transition from the field of knowledge of our hearing to the field of knowledge of the musical motif-space

Integrated overtone mechanics of the combination of sound and idea at the transition from the field of knowledge of our hearing to the field of knowledge of the musical motif-space

Integrated mechanics of the combination of vowel and idea at the transition from the field of knowledge of our hearing to the field of knowledge of the musical motif-space

Integrated mechanics of the combination of formants and idea at the transition from the field of knowledge of our hearing to the field of knowledge of the musical motif-space

Integrated mechanics of the combination of unvoiced consonant and idea at the transition from the field of knowledge of our hearing to the field of knowledge of the musical motif-space

Integrated mechanics of the combination of voiced consonant and idea at the transition from the field of knowledge of our hearing to the field of knowledge of the musical motif-space

Integrated mechanics of the combination of sound and idea at the transition from the field of knowledge of our hearing to the field of knowledge of the musical motif-space

Common Eigenfunction of idea and sound at the transition from the field of knowledge of our hearing to the field of knowledge of the musical motif-space

Common Eigenfunction of idea and voiced consonant at the transition from the field of knowledge of our hearing to the field of knowledge of the musical motif-space

Common Eigenfunction of idea and unvoiced consonant at the transition from the field of knowledge of our hearing to the field of knowledge of the musical motif-space

Common Eigenfunction of the idea and the formants at the transition from the field of knowledge of our hearing to the field of knowledge of the musical motif-space

Common Eigenfunction of idea and vowel at the transition from the field of knowledge of our hearing to the field of knowledge of the musical motif-space

Common Eigenfunction of the overtone mechanics of idea and sound at the transition from the field of knowledge of our hearing to the field of knowledge of the musical motif-space

Common Eigenfunction of the decays of idea and sound at the transition from the field of knowledge of our hearing to the field of knowledge of the musical motif-space

Common Eigenfunction of the attacks of idea and sound at the transition from the field of knowledge of our hearing to the field of knowledge of the musical motif-space

Common Eigenfunction of the aperiodic idea chain and the aperiodic vibration of the sound at the transition from the field of knowledge of our hearing to the field of knowledge of the musical motif-space

Common Eigenfunction of the idea sequence and of the vibration sequence of the sound at the transition from the field of knowledge of our hearing to the field of knowledge of the musical motif-space

Common Eigenfunction of the periodic idea chain and of the periodic vibration of the sound at the transition from the field of knowledge of our hearing to the field of knowledge of the musical motif-space

Common Eigenfunction of the idea derivation and the overtone spectrum of the sound at the transition from the field of knowledge of our hearing to the field of knowledge of the musical motif-space

Common Eigenfunction of the basic idea and basic sound at the transition from the field of knowledge of our hearing to the field of knowledge of the musical motif-space